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Beyoncé Got Two Country Nods at the 2025 AMAs While Real Country Artists Got Nothing

Beyoncé performs in a white rhinestone western outfit and cowboy hat during her Cowboy Carter era, drawing controversy after receiving country award nominations at the 2025 AMAs.
by
  • Arden is a Senior Country Music Journalist for Country Thang Daily, specializing in classic hits and contemporary chart-toppers.
  • Prior to joining Country Thang Daily, Arden wrote for Billboard and People magazine, covering country music legends and emerging artists.
  • Arden holds a Bachelor of Arts in Journalism from the University of Tennessee, with a minor in Music Studies.

Let’s not sugarcoat this. Beyoncé just scored two country nominations at the 2025 American Music Awards, and half the artists actually living, breathing, and bleeding this genre didn’t get a single mention. That’s not just frustrating. It’s embarrassing. And it’s exactly why most country fans no longer care about award shows.

Beyoncé is up for Favorite Female Country Artist and Favorite Country Album for Cowboy Carter, the same record she went out of her way to say “wasn’t a country album.” The same record that had some heat when it dropped, sure, but lost all momentum the second the buzz wore off. The same record that’s part of a “country era” that never really existed.

But hey, put a banjo on a track and drop a couple of cowboy hats in a music video, and boom, welcome to the country category.

Meanwhile, where the hell is Cody Johnson? Where’s Charles Wesley Godwin? Ashley McBryde? Kaitlin Butts? Hell, where’s anyone who actually picked up a guitar, told a story, and played a bar in Texas this year?

Let’s be honest. This isn’t about celebrating country music. It’s about name recognition. Beyoncé is Beyoncé. The AMAs want headlines. And nothing gets clicks faster than slapping her name in a place it doesn’t belong just to stir the pot.

But the rest of us? We see it. We see the artists grinding every night, putting in the work, staying on the road, playing to 400 people in a fairground parking lot while award shows hand out plaques to someone who couldn’t sell out her Cowboy Carter tour dates after the first few weeks. Yeah, that happened.

Even the Grammys handed her Best Country Album, and let’s be real, that was more about the Recording Academy worshiping their queen than recognizing anything she did for the genre. She dipped in, made a scene, and bounced. Respectfully, that’s not country. That’s marketing.

RELATED: Beyoncé’s Grammy Win for Best Country Album Ignites Debate

And now the AMAs want to crown her while ignoring the folks actually moving the needle. Folks like Shaboozey and Megan Moroney, who are putting in the time. Or Zach Bryan, who is redefining what mainstream country songwriting looks and sounds like. Or Lainey Wilson, who’s worked herself to the bone climbing every single rung on the Nashville ladder.

Want to know why people don’t watch the AMAs anymore? Because of this. Because country fans can smell a phony a mile away, and this feels fake. Manufactured. Plastic.

We’re not mad Beyoncé made a record. Make all the records you want. But don’t act like that one album rewrote country music while ignoring the people who’ve been out here carving songs out of real-life heartbreak, dirt roads, and dive bars for the last decade.

This isn’t about gatekeeping. This is about giving a damn.

Country music isn’t a trend. It’s not a one-album vacation. It’s not an aesthetic. It’s a community. And if you’re not really in it, you don’t get to claim the crown.

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