Country Chart – Week of October 5, 2024
This week, country music’s Top 30 chart is a thrilling mix of powerhouse veterans, genre-blurring collaborations, and rising stars making their mark. With his rowdy anthem, Shaboozey holds firm at No. 1, but heavyweights like Post Malone, Morgan Wallen, and Luke Combs are hot on his heels. Meanwhile, artists like Jelly Roll and Dasha are climbing fast, proving that the country music landscape is as dynamic as ever.
The number one country song this week: A Bar Song (Tipsy) by Shaboozey
How We Compiled the List: The Top 30 chart is meticulously curated using data from Billboard, Mediabase, iHeartRadio, Spotify, and Apple Music. By blending radio airplay, streaming stats, and social media buzz, we capture the songs that are not only dominating country playlists but also resonating with fans across the nation.
Top 30 Hottest Country Hits – October 5
- A Bar Song (Tipsy) – Shaboozey
- I Had Some Help – Post Malone featuring Morgan Wallen
- Ain’t No Love In Oklahoma – Luke Combs
- Lies Lies Lies – Morgan Wallen
- Miles On It – Marshmello & Kane Brown
- Cowgirls – Morgan Wallen featuring ERNEST
- Austin – Dasha
- I Am Not Okay – Jelly Roll
- Pink Skies – Zach Bryan
- Pour Me A Drink – Post Malone featuring Blake Shelton
- 28 – Zach Bryan
- You Look Like You Love Me – Ella Langley featuring Riley Green
- Guy For That – Post Malone featuring Luke Combs
- High Road – Koe Wetzel & Jessie Murph
- Whiskey Whiskey – Moneybagg Yo featuring Morgan Wallen
- Love You, Miss You, Mean It – Luke Bryan
- Think I’m In Love With You – Chris Stapleton
- Wind Up Missin’ You – Tucker Wetmore
- Lonely Road – mgk & Jelly Roll
- Am I Okay? – Megan Moroney
- Beautiful As You – Thomas Rhett
- Losers – Post Malone featuring Jelly Roll
- I Never Lie – Zach Top
- Messed Up As Me – Keith Urban
- Devil You Know – Tyler Braden
- This Is My Dirt – Justin Moore
- Worst Way – Riley Green
- Holy Smokes – Bailey Zimmerman
- What He’ll Never Have – Dylan Scott
- Wanna Be Loved – The Red Clay Strays
What’s Really Happening in Country Music This Week
Shaboozey’s Dominance with “A Bar Song (Tipsy)”
Shaboozey continues to ride high with “A Bar Song (Tipsy),” staying at No. 1, marking 24 weeks at the top of the charts. This track, a fusion of honky-tonk swagger and hip-hop-infused beats, is the anthem of every Saturday night party. It’s not just a favorite for barroom anthems—it’s found a second home on streaming platforms, where its catchy hook has made it viral on TikTok. With consistent radio spins and streaming success, Shaboozey proves that country music’s boundaries are more flexible than ever.
For You
Luke Combs Stays Strong with “Ain’t No Love In Oklahoma”
No surprise here—Luke Combs remains one of country music’s most consistent forces. His emotionally charged ballad “Ain’t No Love In Oklahoma” holds at No. 3 this week, backed by more than 500,000 Spotify streams and heavy airplay. Fans continue to connect with the song’s raw storytelling and signature Combs sound, cementing it as one of the year’s biggest hits. Its resilience on the charts demonstrates Combs’ fanbase’s unwavering loyalty and continued relevance in the genre.
Post Malone’s “Pour Me A Drink” Proves Pop-Country’s Staying Power
Cross-genre collaborations are thriving, and Post Malone is leading the charge. His track “Pour Me A Drink” featuring Blake Shelton climbs into the Top 10 this week. With its mix of pop production and country charm, the song resonates with both mainstream and country audiences alike. Post’s other hit, “I Had Some Help,” featuring Morgan Wallen, is still going strong at No. 2, making Post one of the most interesting crossover artists in the industry today.
Jelly Roll’s Genre-Bending Magic
Jelly Roll is climbing faster than ever. His genre-blending track “I Am Not Okay” jumps to No. 8, showing that fans are embracing his blend of country, rap, and rock. With deeply personal lyrics addressing mental health struggles, Jelly Roll finds a special connection with fans. He saw a 20% increase in streams on Apple Music this week, and his fanbase is growing by the day thanks to his vulnerability and authenticity.
Dasha’s “Austin” Leaps into the Top 10
Dasha is one of this year’s breakout stars. Her song “Austin” makes a big move, landing at No. 7. This rising country-pop sensation has quickly gained a following for her smooth vocals and relatable lyrics. Streaming numbers for “Austin” surged by 30% this week on Spotify, and Dasha’s mix of pop and country is bringing in new fans who might not traditionally listen to the genre.
Ella Langley and Riley Green Turn Heads
At No. 12, Ella Langley and Riley Green’s “You Look Like You Love Me” is quietly making waves. The collaboration blends traditional country sounds with a modern twist, creating a track steadily climbing the charts. With increased spins on country radio and a growing presence on streaming playlists, this duo is gaining momentum—and fast.
Quick Takeaways for Country Fans
- Luke Combs continues to dominate at #3 with “Ain’t No Love In Oklahoma,” pulling in over 500,000 Spotify streams this week and maintaining heavy radio play.
- Post Malone and Morgan Wallen’s collaboration, “I Had Some Help,” holds firm at #2, with a 12% surge in Spotify streams proving that pop-country blends are resonating with a broad audience.
- Jelly Roll climbs to #8 with “I Am Not Okay,” benefiting from a 30% increase in Apple Music plays, and his unique genre-blending style is winning over new fans.
- Morgan Wallen’s “Lies Lies Lies” breaks into the top 5 at #4, driven by over 300 radio spins and strong playlist placements, positioning Wallen for another hit.
- Lainey Wilson’s “4x4xU” debuts at #28, as her blend of modern and traditional country continues to attract fans, reflected in a 25% rise in Spotify streams.
- Luke Bryan gains momentum with “Love You, Miss You, Mean It,” moving to #17 as radio airplay increases by 400 spins, setting the stage for a top 10 breakthrough.
- Zach Bryan dominates with two tracks in the top 10—“Pink Skies” at #9 and “28” at #11—showcasing his rising influence through his raw, poetic songwriting.
