She took one step on that stage, and the crowd knew it wasn’t gonna be a polite performance.
October 17th at 713 Music Hall in Houston, Texas. Ella Langley stood center stage, drink in hand, fire in her voice, and heartbreak in her back pocket. Then came the first line of “Choosin’ Texas,” and suddenly, nobody gave a damn about the studio version anymore.
This was the real one.
The irony of it all? She sang it in Texas. The very place the guy in the song ran back to. The girl he left Alabama for. The two-steppin’ brunette who broke the deal wide open. And Ella did not just survive the moment, she doubled down.
“She’s from Texas, I can tell by the way / He’s two-steppin’ ’round the room…”
That lyric was explosive live. You could see people turn to each other mid-line, mouthing the words like it was their own story. A guy a few rows deep threw both arms up like he just lost the argument. Because when Ella sang it, it wasn’t a soft cry into a glass of Jack, it was a statement.
She wasn’t asking for pity. She was daring you to blink.
The crowd did not miss a syllable. Not one. And the love was LOUD. From the YouTube footage, you can hear the place erupt during the chorus, and it felt like 713 turned into a honky-tonk courtroom, and everyone took Ella’s side.
@arexpressions_hub said it straight, “I was there in Houston too, such an amazing show! 😍🎸”
@tiarebowman added, “Thanks for posting this. SO GOOD.”
@jeanrussell8896 kept it country, “It’s his loss not yours!”
Damn right, Jean.
Ella did not just sing “Choosin’ Texas.” She weaponized it. That note she hits on “Drinkin’ Jack all by myself”? Live, it cut like a knife through denim. Raw. Clear. Unapologetic.
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Back when Ella first teased this track, it already had all the makings of a modern country gut-punch. Co-written with Miranda Lambert, Luke Dick, and Joybeth Taylor, “Choosin’ Texas” balances old-school pain with a new-school snarl.
Miranda knew it was special. “Ella may have grown up in Alabama,” she said, “but she has a rowdy, fiery side that us Texas women recognize and respect.”
She is right. What is wild is how fast this song evolved.
From its debut in Nacogdoches to its full-tilt live version in Houston, “Choosin’ Texas” has grown teeth. And fans feel it. The live cut makes the record version sound restrained. Not bad. Just held back. Like Ella needed a stage and a crowd to finally tell the full story.
There weren’t any flashy tricks. No smoke. No pretense. Just Ella, her band, and a story she sang like she meant every word. And the crowd met her right there in the middle.
It wasn’t just a concert moment. It was proof.
Proof that Ella Langley is not just opening shows. She is opening wounds. In the best possible way.
Because when you can walk into Texas, sing about losing a man to Texas, and still get cheered like you won, that is a whole new level of country.


















