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Cori Kennedy Turns Two Chairs on The Voice With “Why Not Me” Before Singing Her Own Song for the Coaches

Contestant Cori Kennedy holds her guitar on The Voice, impressing coaches with both a Judds classic and her own original song.
Riley Johnson
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Riley Johnson covers country music’s legends, tributes, and the stories behind the songs for Country Thang Daily. When a legend is honored, remembered, or back in the spotlight, Riley is usually the one writing it.

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Sometimes a singer walks on stage with more than just a voice, and Cori Kennedy proved that on The Voice.

The 28-year-old from the small town of Kasson-Mantorville, Minnesota, took her shot at the blind auditions with a gutsy choice. She covered The Judds’ classic “Why Not Me,” and the moment she hit her stride, two chairs spun. Reba McEntire and Michael Bublé locked in, recognizing something special in her tone. But what came after her cover is what turned Kennedy into one of the most memorable auditions of the season.

Instead of waiting for the coaches to pitch themselves, Kennedy threw them a curveball. She asked with a smile, “I actually wrote a song about me meeting the four of you. Is it okay if I play it for you?” Snoop Dogg leaned forward and fired back, “Give it to me, girl!” The crowd cheered, and Cori launched into her original.

Her lyrics painted a picture of her roots, saying, “Well I’m just a girl from a zero stoplight town, Minnesota roots and wearing hand me downs…” She told the story of a dreamer stepping out of the dark, marveling that her grandma would never believe she was standing on The Voice stage. Then she got personal with each coach, spinning clever lines that felt like a love letter and a roast rolled into one.

For Snoop, she joked that while she didn’t grow up on his rhymes, she knew Willie Nelson, so they’d get along just fine. For Reba, she called her “my redhead fancy queen,” referencing both Reba’s sitcom and her country music legacy. She ribbed Niall Horan about her One Direction days, admitting Harry had been her teenage crush, and she teased Bublé by asking if he’d ever tried to jumpstart a frozen Minnesota car.

The crowd erupted, and the coaches laughed and clapped as if they had just been given a private concert. Even Snoop, who hadn’t turned his chair, told her, “Next time you come on The Voice, come out with an original song. That bangs!”

RELATED: Firefighter’s Morgan Wallen Blind Audition Ends With Marriage Proposal Instead of a Chair Turn

Once the music faded, the competition began. Reba leaned in first, praising Kennedy’s powerful voice. “Oh, it just took me back to Tennessee. Makes me homesick,” she said warmly before asking if Cori performed live often. Kennedy admitted she only gets to play when she can because she still works a 9-to-5 selling furniture. That answer drew even more applause from the crowd, a reminder that the stage is often filled with everyday dreamers grinding toward their shot.

Bublé then took his turn, pointing out her vocal range and comparing her to a blend of country and Stevie Nicks. To win her over, he even revealed he was wearing socks with Reba’s face on them, hoping humor might sway her. The moment cracked everyone up, proving he wasn’t afraid to play the underdog against a country queen.

Snoop, in classic Snoop fashion, admitted he never stood a chance once Reba hit her button. He laughed, saying he calls her “Reba Magnatire” because any time someone sings country music, he knows it is over for him.

RELATED: Reba McEntire Has the Perfect Comeback After Snoop Dogg Blocks Her on The Voice

Cori Kennedy walked onto that stage as a furniture seller from a one-stoplight town, and she walked off as the kind of artist people will be talking about long after the season ends. She didn’t just audition; she reminded everyone that country music is still built on heart, wit, and stories that make you smile through the nerves.

And the best part is that she did it her way with a Judds classic and a song all her own.

Cori Kennedy Turns Two Chairs on The Voice With “Why Not Me” Before Singing Her Own Song for the Coaches

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