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5 Loretta Lynn Songs That Were Radio Banned But Still Became Hits

Loretta Lynn's fearless songwriting challenged country music norms, with five iconic songs facing radio bans yet becoming timeless classics.
by
  • Arden is a Senior Country Music Journalist for Country Thang Daily, specializing in classic hits and contemporary chart-toppers.
  • Prior to joining Country Thang Daily, Arden wrote for Billboard and People magazine, covering country music legends and emerging artists.
  • Arden holds a Bachelor of Arts in Journalism from the University of Tennessee, with a minor in Music Studies.

Loretta Lynn didn’t just sing country music—she changed it. While many artists tiptoed around the harder truths of life, Loretta faced them head-on. She sang about birth control, cheating, divorce, and double standards at a time when country radio wasn’t ready for that kind of honesty.

Some of her biggest songs were banned from the airwaves for speaking her mind. But that never stopped them from becoming hits.

Here’s a look at five of Loretta Lynn’s most controversial songs, ranked from the most scandalous to the ones that still ruffled feathers but were slightly easier for country radio to swallow.

1. The Pill – 1975

If one song cemented Loretta Lynn as country music’s most fearless truth-teller, it was “The Pill.” At a time when birth control was still a divisive issue, she sang about a woman finally having the freedom to plan her own life instead of being stuck in an endless cycle of pregnancy.

Radio stations across the country refused to play it, calling it too risqué for their listeners. But women saw it differently. The song became an anthem for female independence, and despite the bans, it still cracked the Top 5 on the country charts and even crossed over into pop.

Loretta later said she didn’t write it to be controversial—she just wrote what was real. And for plenty of women, it was the truth they had been waiting to hear.

2. Rated X – 1972

Divorce wasn’t an easy subject for women in the ’70s, and Loretta wasn’t about to pretend otherwise. “Rated X” called out the double standard that a divorced man was seen as eligible. In contrast, a divorced woman was judged and gossiped about.

The lyrics made some radio programmers nervous, leading to bans in conservative markets. But the people who needed to hear it—women who had lived that reality—embraced it. The song shot to No. 1, proving that Loretta wasn’t just making noise; she gave a voice to women who didn’t have one in country music.

3. Fist City – 1968

If there was ever a song that let people know Loretta Lynn wasn’t one to mess with, it was “Fist City.” She wrote it as a warning to any woman trying to come between her and her husband. She wasn’t about to cry in a corner—she was ready to throw hands.

Country radio wasn’t sure what to do with a woman singing about physical fights, and some stations pulled it from rotation. But the controversy only fueled its success, sending it straight to No. 1.

Loretta later laughed about the song, saying she wasn’t actually out fighting anyone. But the message was clear: she was no pushover and wouldn’t let another woman walk all over her marriage.

4. Wings Upon Your Horns – 1969

Country music has many songs about young love, but “Wings Upon Your Horns” is different. Instead of a sweet, innocent romance, it tells the story of a young girl who trusts a man only to be left heartbroken.

The song’s religious imagery—comparing lost innocence to a halo turning into thorns—was enough to make some stations uncomfortable. They saw it as too suggestive, raw, and much for country radio.

Despite the bans, the song succeeded, reaching No. 11 on the charts. It was another example of how Loretta wasn’t afraid to sing about the realities of being a woman, even when the industry wasn’t ready to hear it.

5. Don’t Come Home A-Drinkin’ (With Lovin’ on Your Mind) – 1966

Drinking songs were nothing new in country music, but they usually came from a man’s perspective. Loretta flipped the script, singing from the viewpoint of a woman tired of her husband coming home drunk and expecting affection.

It was a bold stance, and some radio stations refused to play it. But country fans didn’t care. The song became Loretta’s first No. 1 hit, proving that women were more than ready for country music that spoke to their own experiences.

For every song that radio tried to ban, Loretta Lynn gained more fans who saw their own lives in her music. She didn’t just sing country songs—she told the truth, even when it made people uncomfortable.

And that’s why her music still matters.

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