Stapleton forgot the lyrics, but the guitars never missed.
In a year when country music felt like it was drifting into pop waters, with names like Florida Georgia Line and Sam Hunt topping charts with radio-polished hooks, Chris Stapleton showed up with a different kind of fire. And in rare footage from 2016 that recently resurfaced online, he brought backup in the form of two Nashville giants, Vince Gill and Keith Urban.
The video, posted by TikTok user @StapletonHQ, captures Stapleton performing his breakout single “Nobody to Blame” during an iHeart Country event. It is stripped down, unfiltered, and completely electric. Armed with only acoustic guitars, the trio turned a sultry heartbreak track into a full-on guitar masterclass.
Stapleton takes the lead and digs into the verses with that whiskey-and-smoke vocal tone. Gill plays smooth, blues-soaked licks like he is not even trying, and Urban threads it all together with clean rhythm and melodic fills. There are no flashy staging tricks and no production polish, just three world-class musicians locked in tight.
Then comes the moment that made this clip legendary. Stapleton blanks on the fourth verse. He smiles, turns to his bandmates, and says, “I should know what I wrote,” before shaking it off and jumping right back in like it never happened. Nobody misses a beat. Gill laughs. Urban grins. The moment lands even harder because of how human it feels.
At that time, Stapleton was still riding the high of Traveller, his debut album that had exploded at the end of 2015. After years spent writing hits behind the scenes for artists like Josh Turner, Luke Bryan, and Darius Rucker, he was finally in front of the mic. “Nobody to Blame” was the anthem that proved he belonged there.
The performance with Gill and Urban did not just showcase Stapleton’s vocal power. It showed the kind of respect he had already earned in Nashville’s inner circle. Gill and Urban are two of the most respected guitarists in the genre’s history. For them to join Stapleton on a song he wrote and recorded just months earlier says everything about how quickly he had risen, not through hype but through skill.
Years later, Stapleton would honor both men in public tributes. In 2022, he covered Vince Gill’s “Whenever You Come Around” during the CMT Giants special. Then in 2023, he took Keith Urban’s “Blue Ain’t Your Color” and turned it into a slow-burning knockout at the ACM Awards. Those moments got headlines, but the 2016 clip is where the bond was already visible.
Whiskey Riff was one of the first outlets to shine a spotlight on the resurfaced footage, and fans quickly followed. The comments flooded in, with longtime listeners calling it one of the most authentic live moments they had seen in years. It is not hard to see why.
It was never about one-upmanship. It was about three artists sharing the kind of moment that only happens when the spotlight fades and the music leads.
Stapleton may have forgotten a lyric, but nobody watching forgot what they saw. That was not just a performance. That was a reminder. A reminder that even during the loudest era of country’s identity crisis, there were still songs and artists that could cut right through the noise.


















