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Folk Musician John Moreland Says Zach Bryan Was Rude, a D*head, and Not Who You Think

Split image of Zach Bryan performing live on stage with guitar and John Moreland playing guitar in a studio; reflects their public feud following a canceled collaboration.
by
  • Arden is a Senior Country Music Journalist for Country Thang Daily, specializing in classic hits and contemporary chart-toppers.
  • Prior to joining Country Thang Daily, Arden wrote for Billboard and People magazine, covering country music legends and emerging artists.
  • Arden holds a Bachelor of Arts in Journalism from the University of Tennessee, with a minor in Music Studies.

Well, the gloves are off in Oklahoma.

What started as a cryptic shot from Americana singer-songwriter John Moreland has now turned into a full-blown fallout with country megastar Zach Bryan, and the song they once collaborated on, “Memphis; the Blues,” is caught in the crossfire.

It all started after news broke that Bryan had signed a $350 million publishing deal, a career-defining move that cemented his status as a stadium-packing juggernaut. Moreland, known for brutally honest lyrics and an even more brutally honest online presence, took to social media with a post that read:

“$350M is a lot of money to pay for the f***in off-brand version of me.”

That’s not exactly subtle. And even though he later deleted it, the damage was done. Bryan, not one to let things simmer quietly, responded by scrubbing Moreland off “Memphis; the Blues,” a fan-favorite track from The Great American Bar Scene that had already racked up over 20 million streams. He said he’d re-release the song solo, claiming he had no interest in working with “anyone with a problem” with him. Then he added, “No hard feelings! Confused as s***.”

Moreland, who’s been making records for over a decade and built his following the slow, honest way, didn’t back down. In a pair of Instagram videos, he doubled down and painted a picture of Bryan that’s a far cry from the humble, flag-waving hero many fans idolize. He called Bryan a “d***head” to his wife and friends, accused him of telling borderline racist jokes, and questioned his overall character. “I don’t like that person,” he said flatly.

Then came the most telling line: “Getting kicked off a Zach Bryan album is way f***ing cooler than being on a Zach Bryan album.”

At this point, the collaboration is toast, the song is being reworked, and both camps are hunkered down with their loyalists taking shots online. Some of Bryan’s diehards, the so-called “Zachies,” defend him to the death. Moreland’s corner? Probably more subdued but nodding along, quietly saying, “Yeah, we saw this coming.”

So what does this all mean?

It’s a rare moment where two voices from the same state, both with roots in the working-class poetry of Americana and alt-country, find themselves on opposite ends of the genre’s fame spectrum. One just signed a mega-deal and plays to packed stadiums. The other plays folk clubs and cuts straight to the bone. And while Moreland might not be a household name outside of Americana circles, his words carry weight in the songwriter world, and he clearly feels that fame has changed the man he once agreed to share a track with.

The sad part? “Memphis; the Blues” was damn good. Two Oklahoma boys trading verses on a smoky, soul-soaked country track. But now, it’s a reminder that ego, perception, and personal beefs can undo even the best work in the music industry.

Zach Bryan will be just fine. His fans aren’t going anywhere, and his next stadium show will still sell out in minutes. But this public split is a crack in the clean-cut armor, and you better believe people will keep watching.

As for Moreland? He might’ve just turned a deleted Instagram rant into his most high-profile moment in years. And for better or worse, he meant every damn word.

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