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ACM CEO Says Beyoncé’s Not Nominated but Welcome to Perform Anytime

ACM CEO says Beyoncé is welcome to perform anytime, despite her Cowboy Carter album receiving no 2025 nominations from the Academy.
by
  • Arden is a Senior Country Music Journalist for Country Thang Daily, specializing in classic hits and contemporary chart-toppers.
  • Prior to joining Country Thang Daily, Arden wrote for Billboard and People magazine, covering country music legends and emerging artists.
  • Arden holds a Bachelor of Arts in Journalism from the University of Tennessee, with a minor in Music Studies.

When Beyoncé walked away from the 2025 Grammy Awards with wins in two major country categories, the industry chatter was inevitable. She became the first Black artist to win Best Country Album. She took home Best Country Duo/Group Performance with Miley Cyrus for “II Most Wanted.” However, when the Academy of Country Music Awards released its nominations weeks later, Beyoncé’s name was nowhere to be found.

That silence spoke volumes — and the ACM’s top executive is standing by it.

In an interview following the announcement, ACM CEO Damon Whiteside confirmed what many suspected: Beyoncé wasn’t snubbed by accident. “Were we hoping she’d be nominated? Absolutely,” he said. But he also clarified how this industry operates: “I think, more likely, [voters are] going to be voting for artists that they’ve got relationships with and work with on a regular basis and that are in the country music business 365.”

Translation? Flashy crossover moments and big-name Grammy wins aren’t enough. In the ACM’s eyes, country music is still rooted in long-term commitment, not genre-hopping. Voters — most of whom are full-time professionals working inside the country industry — backed the artists they know, respect, and hear playing country venues, not stadium pop.

Open Invitations Don’t Equal Open Arms

Despite the lack of nominations, Whiteside was careful not to burn bridges. “We’d love to have Beyoncé on the show,” he said. “She has an open invitation to be on the ACM stage anytime she ever wants to.”

But an invitation doesn’t carry the same weight as a nomination, and fans know the difference. Beyoncé’s Cowboy Carter may have dominated headlines and streaming platforms. Still, the people who live and breathe country music made it clear who they believe the genre belongs to.

This year’s ACM slate favored artists like Ella Langley, Cody Johnson, Lainey Wilson, and Zach Top—names built in Nashville, not borrowed from other genres. These aren’t household names outside of country, but they’re here not for a spotlight but because country music is home, not a detour.

So, while Beyoncé made history at the Grammys, her exclusion from the ACMs is history of another kind — a reminder that country music is still, at its core, a community with its own values, institutions, and expectations. Recognition here isn’t handed out because of global popularity. It’s earned through roots, relationships, and respect.

Because country music isn’t a trend. It’s a tradition.

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