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Aaron Neville Puts his Own Spin into George Jones’ “The Grand Tour”

Aaron Neville + The Grand Tour
by
  • Riley is a Senior Country Music Journalist for Country Thang Daily, known for her engaging storytelling and insightful coverage of the genre.
  • Before joining Country Thang Daily, Riley developed her expertise at Billboard and People magazine, focusing on feature stories and music reviews.
  • Riley has a Bachelor of Arts in Journalism from Belmont University, with a minor in Cultural Studies.

With a touch of rhythm and blues, Aaron Neville released a remake of George Jones’ country single “The Grand Tour” on April 20, 1993. It was the 12th track to his fifth studio album with the same name. 

From funky soul music, he entered the Billboard Hot Country Singles and Tracks at No. 38 and the Billboard Hot 100 at No. 90. The song became a critically acclaimed rendition that led him to his first appearance on the county music charts. He even got a nomination for Best Male Country Vocal Performance at the 36th Grammy Awards in 1994. Neville’s versatility is truly off the charts.

RELATED: Trailblazers: Black Country Singers Who Revolutionized Honky Tonk

In his version of “The Grand Tour,” he seamlessly transformed a country song into a unique, soulful ballad. His blended version elevated the simple direction of his music video.

Aaron Neville’s Unique Twist on ‘The Grand Tour’

Originally recorded by George Jones, “The Grand Tour” was written by Norro Wilson, Carmol Taylor, and George Richey. Aaron Neville’s melodic rendition of the tune possesses a warm yet bittersweet invitation to a lonely place that used to be a lovely home. It explores the memories and emotions built upon the house that he once shared with a lover who is now long gone. This translated to an earnest notion of how physical spaces and objects leave an impact like palpable grief.

In the music video, the different corners of the house make Neville sentimental and desolated as he revisits bedrooms, holds old newspapers, and sits on a dusted armchair to reminisce every memory. The intensity of his loss and sorrow can be felt through the screen, particularly in the part where he says that his wife used to sit down on his knee to whisper, “Oh, I love you.” But once something is completely buried, it can no longer be turned back alive. Only the moments linger like twilight hues. 

There were many interpretations of the song — podcaster Tyler Mahan Coe concludes that the wife died in childbirth, while country music historian Bill C. Malone claims that it’s about divorce because of the lyrics “She left me without mercy, taking nothing but our baby and my heart.” No matter how you interpret it, the song is undoubtedly one of the finest performances in country music, ranking No. 38 in Rolling Stone’s 40 Saddest Country Songs of All Time.

This is the perfect moment to revisit a memory of another’s tragic life with Aaron Neville’s classic cover of “The Grand Tour.” 

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